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・ Juan Rulfo
・ Juan Rullán Rivera
・ Juan Ríos
・ Juan Ríos (baseball)
・ Juan Ríus Rivera
・ Juan S. Alano Memorial Hospital
・ Juan Pérez Roldán
・ Juan Pérez-Caballero y Ferrer
・ Juan Pérez-Giménez
・ Juan Pío Manzano
・ Juan Píriz
・ Juan Quarterone
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Juan Quezada Celado
・ Juan Quintero
・ Juan Quintero Muñoz
・ Juan Quiroga
・ Juan Quiroga (footballer)
・ Juan Quirós
・ Juan Quiñones Ruiz
・ Juan Quiñónez
・ Juan R. Correa-Pérez
・ Juan R. Cruz
・ Juan R. Escudero (municipality)
・ Juan R. Francisco
・ Juan R. García Delgado
・ Juan R. Melecio-Machuca
・ Juan R. Torruella


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Juan Quezada Celado : ウィキペディア英語版
Juan Quezada Celado
Juan Quezada Celado (born May 6, 1940) is a Mexican potter known for the re-interpretation of Casas Grandes pottery known as Mata Ortiz pottery. Quezada is from a poor rural town in Chihuahua, who discovered and studied pre Hispanic pottery of the Mimbres and Casas Grandes cultures. He eventually worked out how the pots were made with no help from ceramicists or specialists in these cultures. Initial attempts to sell the pots in his area failed, but he did have success with border merchants. These brought the pottery to shops on the U.S. side of the border, where they were discovered by Spencer MacCallum, an anthropologist who tracked Quezada down and helped him break into the larger U.S. market. Quezada’s success in pottery sparked interest in the activity by others in the town and he responded by teaching family and friends. Today there are over 300 families who earn all or part of their income from the pottery. Quezada’s work has been displayed in museums in various countries and in 1999 he was awarded the Premio Nacional de Ciencias y Artes. Despite this, his work is still relatively unknown in Mexico.
==Early life and discovery of pottery==
Juan Quezada Celado was born in the town of Tutuaca, in the municipality of Belisario Domínguez, Chihuahua. He moved to the town of Mata Ortíz when he was a baby, and grew up with little schooling, which he did not life. At that time, Mata Ortíz was only three blocks wide, and has been in decline economically since the Mexican Revolution.〔
Since childhood, he liked to work with his hand, trying to paint and sculpt with the few tools he had at age seven. He experimented with painting all kinds of surfaces such as wood, paper and even the walls of his house, filling those until his mother would make him clean them to start over again. This was noticed by the local government, which offered to send him to art school, but he refused. He believes that was a good decision.
When he was younger, he also boxed, with his friend Pino Molina as manager. Although he says he never lost a fight, he gave it up because his mother was worried.〔
As a teenager, he quit school to start earning money to help his family. At age fourteen, he began to collect firewood in the mountains and then worked for the railroad and collected maguey cactus. These jobs had him spend long stretches in the surrounding mountains, where he found pre Hispanic pots and pot shards from the Mimbres and Casas Grandes cultures in caves and other places. He collected these to examine, impressed by their artistic quality.〔〔
Casas Grandes pottery flourished between 1175 and 1400 and is closely related to the larger Pueblo family. However since then the tradition died out for about 600 years. No one in the Mata Ortiz area did pottery and there were no experts on the cultures to consult. Quezada did not even know the word in Spanish for a potter (alfarero) .〔 In the early 1970s, he began experimenting with ways to duplicate the pots he found and studied, but progress took a several years since he had no ceramics experience.〔〔〔 One of his first discoveries was the need to add sand or other temper to keep the clay from cracking.〔 Then he worked out that the pots were shaped by a disk of clay at the bottom, with the sides built up by the coil method.〔 He experimented with various local minerals until he figured out to use rust for red, magnesium for black and white from the clay itself.〔 He experimented with the hair of various animals and even maguey cactus fiber before discovering that brushes of human hair produced the clean lines of the original pottery.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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